The Two Stephens

Last night, Tuesday, the 24th, Sirius broadcast Verdi's Aida live from the Met. The standout was Stephen O'Mara, who had already sung a previous performance, covering for Berti. O'Mara has the sound of a real tenore di forza, burnished and powerful, with a ringing top. Given the roles in his repertory, I hope the Met finds a way to make use of him. (Does he really sing both Siegfrieds?)

Tonight, the 25th, was the much-anticipated Lucia, also broadcast on Sirius, with Stephen Costello as Edgardo--much-anticipated by opera mavens, who know him from appearances in Philadelphia and with OONY, not to mention clips that can be found on YouTube. Despite a few signs of tiring at the end, he was spectacular. His beautiful lyric voice has focus, color, and a real liquid grace. He's so young, though, that I hope he's not being rushed.

Annick Massis was a splendid Lucia, tossing off high Ds with abandon, floating notes with ethereal grace, showcasing her marvelous trill, and giving point to the text. I wish she hadn't opted for the flute obligato in the Mad Scene, however. Amazing, though, to have two such accomplished artists--Dessay and Massis--perform this role in tandem.